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Review: High School Presents 'Of Mice and Men'

A Cappies review of Georgetown Prep's "Of Mice and Men."

Lennie “didn’t mean” to offend Curley. Lennie “didn’t mean” to kill his puppy. And Lennie “didn’t mean” to harm Curley’s Wife. Such dilemmas exemplify Lennie’s inherent battle: gifted with physical strength like no other, but limited in his mental capacities. In Georgetown Preparatory School’s moving production of Of Mice and Men, Lennie’s internal struggle is juxtaposed with other serious issues including racism and sexism.

"Of Mice and Men" was originally a 1937 novella, penned by John Steinbeck, who also wrote the stage adaptation as well. Influenced by Steinbeck’s own encounters as a migrant worker, "Of Mice and Men" tackles pertinent social and economic issues of the time. This Depression-era story begins as best friends George and Lennie look for work on a ranch in Soledad, California. However, due to Lennie’s mental illness, the pair frequently find themselves in compromising situations, and farther from reaching their dream of living on land of their own.

Matteo Moran took on the role of George with careful determination and cultivated a very believable sense of companionship with Lennie. Moran clearly demonstrated his supportive nature as Lennie’s friend, but also his concern for Lennie’s conduct and desire to attain a stable life. Moran’s character development was particularly notable, as he entered the tragic and powerful final scene with resolve and sensitivity, realizing the horrible implications of Lennie’s innocent actions.

Peter Fanone was exceptional in his depiction of Lennie. From the minute he appeared onstage, his child-like vulnerability was evident in the way he altered his vocal inflections and his need for George’s reassurance. Fanone conquered the character right down his stomping walk and meticulous mannerisms, such as his frequent nail picking. Playing someone who is mentally challenged is never an easy task, but Fanone delivered with poignancy and sincerity, making his portrayal all the more realistic.

As Candy, the one-armed ranch hand, Joey Allaire brought some comic relief to this dramatic piece, though he also displayed his earnest care for others, especially when his dog was killed. Allaire also demonstrated excellent physicality as he maintained a hobbling walk throughout the show. Another splendid addition to the cast was that of Michael Brown as the considerate and engaging ranch hand Slim. Brown always had honest reactions, notably when he displayed a clear build of anger towards Curley and his accusations. Other memorable performers include Maddie Lee as Curley’s flirtatious wife and Aaron Okello as the meditative Crooks. While some of the accents resulted in an occasional lack of articulation, the actors successfully projected their voices.

One of the most impressive aspects of the production was the set—designed by Tony Ingelido and Mike Brown—which creatively staged many areas of the ranch, including the bunkhouse at center stage and the barn at stage right. Adorned with hay bales, support beams, tree branches and dangling lanterns and saddles, the stage was authentically transformed into the Soledad ranch. The costumes were also very realistic and suited each character well.

All in all, the Georgetown Prep Players approached their production with professionalism and attention to detail that gave way to a riveting performance filled with honesty and empathy.

Editor’s Note: by Tess Higgins of Lanhley High School through the high school Cappies program, the critics and awards program for high school theater. In this program, high school students are trained as critics, attend shows at other schools and write reviews for local news publications. At the end of the year, student critics vote for awards that are presented at a formal Cappies Gala.

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